• Fitzco wins over the Yella Fella

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    The Yella Fella said yes.

    Congratulations on the YellaWood account, friends!

  • Garden and Gun's "The Art of the Hunt"

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    In the last decade Douglas Ivester, a local businessman, has taken the time to amass quite the collection of art revolving around hunting. Beautiful paintings, sculptors and prints primarily of hunting dogs adorn a functioning plantation located in southwest Georgia.

    “Doug has a genuine love of working the land, and an attachment to the countryside,” says C. Duncan Connelly, an Atlanta-based art dealer who helped assemble the collection. “He also has a love of dogs. And he’s a hunter. As he decided to start a collection of gun-dog paintings, the point was to depict moments between the dogs and hunters. As it’s turned out, hunters are rarely even in the frame. It’s implied that man is there, but the collection more often focuses on the moment for the dog itself.”
    Via Garden and Gun

  • Matchstic asks: "What about Atlanta inspires you?"

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    In a recent blog post from Matchstic, a local brand shop, they pose the question: What about Atlanta inspires you?

    As inhabitants of this sweet tea and hip hop city, we believe that it's important to always explore. Atlantan know of, but not be familiar with, all of it's little nooks and corners, all of the neighborhoods each with their own specific qualities and quirks.

    In the past, we've posed a similar question in our interviews. Here's some snap shots of what people have said:

    Will Benham and Chris Baker, the geniuses behind Go Art Director Go (now shiny, wide-eyed, sleepy interns at Crispin Porter + Bogusky in Boulder.

    When you're trying to brew up that next great idea, where do you go in Atlanta? Is there a particular spot or ritual that you take part in?
    Chris: Writing has to be at my desk in my room under my little green lamp like the ones in the library of every movie. For ideas, I don’t have one place I go, but I feel like that’s a little counterintuitive. I love concepting in Piedmont Park. Octane is great, Bookhouse Pub, anything that gets me out and about. Because if I couldn’t do my work out in Atlanta, I wouldn’t be out in Atlanta.

    Will: Call me counterintuitive, but for me the magic happens in the shower. After I’ve researched, finished meetings, and written every bad headline my brain can produce I’ll go take a shower. Usually that’s when the best breakthroughs happen for me. For all the nitty gritty work I like to go to a coffee shop to concept and write. Sip is my favorite, but I’ll use Starbucks if I have to.

    (read the rest of the interview here)

    James Martin, local designer and self-initiating innovator.

    Now that you've been here for a bit, what makes Atlanta Atlanta?
    James: Atlanta is such a wonderful place for me. Personally, it opened a new and very wild chapter in my life. I had just started an agency and was working for myself and collaborating on some pretty awesome projects at Cardinal & Company (c&c). I remember so vividly being constantly in awe of the neighborhoods. They truly inspired me and motivated some of my biggest self-initiated projects. Whenever I wasn't at the studio, I was exploring through them. Local food was a big deal for me, too. Where I'm from, the dinner options were chain restaurants. Now, all of a sudden there are countless places to dine that offer good food and excellent stories. The beautiful thing about many of the restaurants in Atlanta is that they invite conversation and are accessible to the neighborhoods they call home.

    (read the rest of the interview here)

    Read Matchstic's responses here.

  • MODA's: The South's Next Wave Design Challenge (Call for entries)

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    Calling all Southeastern designers! MODA is looking for innovative product and set/space designers for an exhibit that will occupy the MODA space from November to April 2013.

    "These designers should exemplify the myriad new directions the Southern aesthetic has taken."

    Entries are due June 30th. More information here.

    Get going, Atlanta!

  • Golf Night at the High (Half-off admission)

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    From 4-8pm tonight, admission will be half off to celebrate The Art of Golf Exhibit.

    More details here.

    See you there!

  • Fitzco's "Oh Crap."

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    Just a few months ago Atlanta's Fitzgerald and Co. had been aggressively pitching for the MINI account. In doing so, they created a 30 volume collection for MINI with the release lapsing over the entire pitching period. Included in this collection was everything ranging from information about Fitzco and visiting Atl, to the details of the purchase of a '72 "Olive" Mini that now sits in Fitzco's reception area.

    Alas, in the final round, Fitzco lost to incumbent BSSP. But the MINI remained in reception hall, collecting tears from creatives. But Fitzco has put on their big boy pants, and as the final volume of the collection, they are selling Olive. By posting a traditional Helveticaized classifieds ad in the paper (as well as a more modern craigslist listing), they're embracing the situation.

    Check out the video of the Fitzco staff receiving Olive and piece by piece transporting her to their 11th floor office here.

    Fitzco now looks forward to working on the newly acquired Hooters account. Purely for the wings.

  • ATL Film Festival steps in to aid Plaza Theater

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    Announced Sunday night, the Atlanta Film Festival will be taking over operations at the Plaza Theater. The Plaza announced last fall that it was in desperate need of additional funds.

    The vintage repertory cinema was seeking new ownership in the face of the prohibitively expensive cost of converting the theater to digital screening formats, a necessary move as studios are not only ceasing the production of film prints, but also going so far as to destroy film archives.

    "We have a phase plan," Escoboar explains. "The Plaza has not only not had full digital capabilities, they haven't had the proper HD digital projection." Theaters are being forced into a two-part DCP system, a digital process that grabs films from the Internet and plays them through special (ie, expensive) projectors that boast a resolution higher than HD. According to Escoboar, "Theaters are being shoved into doing this so that the distributors can save on printing and shipping costs of film that can cost $5,000 a piece to make and more to ship around the country. They're forcing the conversion for their own benefit and not helping anyone do it." Christopher Escoboar is the the ATLFF365 executive director.

    Conveniently, the ATL Film Festival has access to many of these needed projectors and technologies that can be stored (and used) at the Plaza. It's certainly not an ideal solution, but this partnership could blossom into a successful one.

    Help save the Plaza.

    via CLatl

  • Plywood People's Problem Solving Competition (good ideas equal good funding)

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    Atlanta's Plywood People, the same people who brought you Plywood Mornings, are hosting a Problem Solving Competition complete with a handsome cash-money prize. It's as simple as that. Find a problem (lord knows the world has plenty) and get to solving said problems. Submissions are due July 15th. Five finalists will be asked to present their idea at the Plywood Presents 2012, a conference bringing together Creatives, Business Leaders and Non-profit Activists (and Stefan Sagmeister). Sounds like the perfect place to get your ideas heard.

    Get thinking, Atlanta!

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